RGR

RGR

RGR

RGR

Published Jun 2025

Published Jun 2025

Published Jun 2025

Published Jun 2025

ANDOR:

SEASON 2

70

70

70

70

World-class production carries the underwhelming story just across the line, offering none of the cleverness and memorability we saw in Season 1

From:

Alinea Games

Tony Gilroy

Tony Gilroy

Tony Gilroy

Year:

2018

2025

2025

2025

Genre:

Strategy, Text Based

Sci-Fi

Sci-Fi

Sci-Fi

Played:

Watched:

Watched:

Watched:

200+ hr

1x

1x

1x

Creator:

Tony Gilroy

Year:

2025

Genre:

Sci-Fi

Watched:

1x

Published Feb 2025

Published Mar 2025

Published Mar 2025

Published Mar 2025

Published Mar 2025

Praise for Season 2 has been far-reaching, but for me it's another painful entry into the ever growing list of great modern fumbles.

SPOILERS

Andor's first season is one of my favorite shows in recent memory. I even argued in my review that it could be considered as the best production ever to come out of the franchise. I had always dreamed of getting a Star Wars story told with this level of tonal maturity, finesse and quality, and Tony Gilroy and co exceeded all my expectations in doing so. After years of failure and mediocrity it seemed we finally had creators who would restore balance to the force, delivering the most natural extension of the universe since The Empire Strikes Back, while establishing a new standard to which all future sci-fis could be measured.


They certainly delivered something special in that first season. The groundwork had been laid and anticipation for its second chapter was high. We watched Andor grow from backwater renegade to leader committed to fighting the Empire. I was looking forward to seeing his integration into the cause, exploring the formation and nuances of the Rebellion, diving deeper into the depths of the Empire's tyranny, and witnessing the magnificent rise of Andor as he evolves into the leader he is destined to become.


At least that’s what I had hoped we’d see. What we got instead was something much less interesting, often confusing, and far more uninspired. The standards and expectations had been set high, but Season 2 is far from the masterclass of storytelling we had previously experienced. I completely disagree with the streams of perfectly scored reviews and unwavering praise I am seeing across the review landscape. This was a step down in writing quality and it’s given me that disappointing feeling in my chest when you see something you love coming so close to greatness fail to sustain that magic after a single 12-episode season.


I think many would agree that those first-act episodes were poor. Three inconsequential plotlines are messily edited together, each drawing out what should have been condensed or skipped entirely. The wedding plot was particularly boring. I didn’t care about the drama between the friends and family of the Mothmas, and the dialogue was often awkward and hard to follow. The farm arc was also unimaginative and predictable. Is a generic visa-check story, with a stock rapist immigration officer, really the best they could come up with?


The jungle scenes on Yavin 4, whilst more interesting on paper, also dragged on for far too long, reliant on the stupid behavior of unlikable, poorly acted rebels to force escalation that amounted to rock-paper-scissors levels of drama. The dialogue was particularly bad in these scenes. We also get to see how Dedra’s and Syril’s relationship developed, anchoring the dynamics around an insufferable mother, which although provided some well-acted and humorous moments, is just one more plotline we don’t tune into Andor to see.


At this point I refused to believe this was going to be the level of quality throughout the show. The first season, after all, was also slow to come to life, but eventually rewarded us with those incredible Aldhani Heist episodes (4 to 6), followed by the unforgettable prison escape episodes directly after (7 to 9). I therefore kept hope, and patience, that the writing would return to the expected quality, and that something special was just around the corner. But as I sat there in episode 7, watching another pointless side story with Wilmon and Saw, with the latter rambling on about gas and an important machine I knew nothing about, I realized that time was running out for this show to pull itself back on course and realize its legendary potential.

Andor's first season is one of my favorite shows in recent memory. I even argued in my review that it could be considered as the best production ever to come out of the franchise. I had always dreamed of getting a Star Wars story told with this level of tonal maturity, finesse and quality, and Tony Gilroy and co exceeded all my expectations in doing so. After years of failure and mediocrity it seemed we finally had creators who would restore balance to the force, delivering the most natural extension of the universe since The Empire Strikes Back, while establishing a new standard to which all future sci-fis could be measured.


They certainly delivered something special in that first season. The groundwork had been laid and anticipation for its second chapter was high. We watched Andor grow from backwater renegade to a leader committed to fighting the Empire. I was looking forward to seeing his integration into the cause, exploring the formation and nuances of the Rebellion, diving deeper into the depths of the Empire's tyranny, and witnessing the magnificent rise of Andor as he evolves into the leader he is destined to become.


At least that’s what I had hoped we’d see. What we got instead was something much less interesting, often confusing, and far more uninspired. The standards and expectations had been set high, but Season 2 is far from the masterclass of storytelling we had previously experienced. I completely disagree with the streams of perfectly scored reviews and unwavering praise I am seeing across the review landscape. This was a step down in writing quality and it’s given me that disappointing feeling in my chest when you see something you love coming so close to greatness, only to fall and loose that magic after a single short season.


I think many would agree that those first-act episodes were poor. Three inconsequential plotlines are messily edited together, each drawing out what should have been condensed or skipped entirely. The wedding plot was particularly boring. I didn’t care about the drama between the friends and family of the Mothmas, and the dialogue was often awkward and hard to follow. The farm arc was also unimaginative and predictable. Is a generic visa-check story, with a stock rapist immigration officer, really the best they could come up with?


The jungle scenes on Yavin 4, whilst more interesting on paper, also dragged on for far too long, reliant on the stupid behavior of unlikable, poorly acted rebels to force escalation that amounted to a rock-paper-scissors levels of drama. The dialogue was particularly bad in these scenes. We also get to see how Dedra’s and Syril’s relationship developed, anchoring the dynamics around an insufferable mother, which although provided some well-acted and humorous moments, is just one more plotline we don’t tune into Andor to see.


At this point I refused to believe this was going to be the level of quality throughout the show. The first season, after all, was also slow to come to life, but eventually rewarded us with those incredible Aldhani Heist episodes (4 to 6), followed by the unforgettable prison escape episodes directly after (7 to 9). I therefore kept hope, and patience, that the writing would return to the expected quality, and that something special was just around the corner. But as I sat there in episode 7, watching another pointless side story with Wilmon and Saw, the latter rambling on about gas and an important machine I knew nothing about, I realized that time was running out for this show to pull itself back on course and realize its legendary potential.

Some will point to the Ghorman uprising and massacre in episode 8 as that standout moment of amazing TV, but I don't see it. The Ghorman uprising was essentially French Ferrix, but with less interesting characters and a more confusing path towards the climax. It was still good, and I enjoyed the episode, but mostly that was due to the outstanding production, and because finally something interesting had happened. That said, much like the farm arc, this uprising tale has been done to death. It's another generic piece of storytelling in which every scene and outcome can be predicted in our head before it happens. This is Star Wars; the possibilities open to the writers are endless, so why is the central story so one-dimensional and played out.

To make matters worse, Andor's presence and impact on the plot is paper thin. I was concerned how little he featured in the first three episodes, and this continues throughout the Ghormans' plotting and eventual massacre. He's mostly relegated to a pointless observer, conveniently landing the day of protest regarding an unrelated task, yet still given no real part to play in any of it. If he was to be removed from the show at this point, nothing would change.

Thankfully, Syril and Dedra fill the space with some phenomenal acting and character development in these episodes. Dedra is one of the most perfectly cast Imperial figureheads in Star Wars, and is outstanding. Syril, my least favorite character in the prior season, also becomes a standout in Season 2. I was actually sad to see his story ended so quickly, after he reached his personal moral event horizon. Seeing him continue and grapple with that path, and hypothetically completing that transformation and joining the Rebels, could have been excellent. In the end, his release from obedience and insecurity to clarity and defiance actually felt too abrupt and unfulfilled in the end.

It really is crazy to me the lack of good content and screen time Andor is given in his own show. He's by far the most interesting character, and Diego Luna's acting is sensational. When he lambasts the council in the tenth episode, after their slandering of Luthen, it's epic. Those moments of pure leadership were just too rare. I was ready to see him shine, so spending the majority of the season with his "I don't know if I can do this" mentality was a bit of a disappointing choice for me. Didn't he already deal with much of these doubts in Season One? Even Bix got fed up with it and left.

All this to say, I still found some fantastic episodes and moments throughout the experience, especially in the final act. The action and suspense were great, notably during the episodes involving the extraction of Mon Mothma from the Senate (lame speech, however), as well as Luthen's capture, backstory, and hospital 'rescue'. Even without these dramatic episodes, the settings and world design are so perfectly crafted, and the characters so exceptionally cast and acted, that you can't help but be completely immersed and awe-struck at what you are seeing. Some of those large-scale scenes were awe-inspiring and gave me goosebumps.


Speaking on production, the emphasis this season on Coruscant and Ghorman allowed the creators to showcasea lot more design related to interiors, control panels, technology systems, and architecture. It was just glorious. I loved seeing how they've continued to evolve the design language established in the '70s, successfully modernizing it without losing that original essence and aesthetic. The film Alien: Romulus went through that similar challenge recently, and I thought they had set the standard for this kind of sci-fi production design, but I think Andor may top it. The larger sets and macro shots were also spectacular, blending stunning real-world locations with impeccable CGI that produced a world that is as close to perfection as it comes.

Some might point to the Ghorman uprising and massacre in episode 8 as that standout moment of TV, but I don't see it. The Ghorman uprising was essentially French Ferrix, but with less interesting characters and a more confusing path towards the climax. It was still good, and I enjoyed the episode, but mostly that was due to the outstanding production, and because finally something interesting had happened. That said, much like the farm arc, this uprising tale has been done to death. It's another generic piece of storytelling in which every scene and outcome can be predicted in our head before it happens. This is Star Wars; the possibilities open to the writers are endless, so why is the central story so one-dimensional and played out.

To make matters worse, Andor's presence and impact on the plot is paper thin. I was concerned how little he featured in the first three episodes, and this continues throughout the Ghormans' plotting and eventual massacre. He's mostly relegated to a pointless observer, conveniently landing the day of protest regarding an unrelated task, yet still given no real part to play in any of it. If he was to be removed from the show at this point, nothing would change.

Thankfully, Syril and Dedra fill the space with some phenomenal acting and character development in these episodes. Dedra is one of the most perfectly cast Imperial figureheads in Star Wars, and is outstanding. Syril, my least favorite character in the prior season, also becomes a standout in Season 2. I was actually sad to see his story ended so quickly, after reaching his personal moral event horizon. Seeing him continue and grapple with that path, and hypothetically completing that transformation and joining the Rebels, could have been excellent. In the end, his release from obedience and insecurity to clarity and defiance actually felt too abrupt and unfulfilled.

It really is crazy to me the lack of good content and screen time Andor is given in his own show. He's by far the most interesting character, and Diego Luna's acting is sensational. When he lambasts the council in the tenth episode, after their slandering of Luthen, it's epic. Those moments of pure leadership were just too rare. I was ready to see him shine, so spending the majority of the season with his "I don't know if I can do this" mentality was a bit of a disappointing choice for me. Didn't he already deal with much of these doubts in Season One? Even Bix got fed up with it and left.

All this to say, I still found some fantastic episodes and moments throughout the experience, especially in the final act. The action and suspense were great, notably during the episodes involving the extraction of Mon Mothma from the Senate (lame speech, however), as well as Luthen's capture, backstory, and hospital 'rescue'. Even without these dramatic episodes, the settings and world design are so perfectly crafted, and the characters so exceptionally cast and acted, that you can't help but be completely immersed and awe-struck at what you are seeing. Some of those large-scale scenes were awe-inspiring and gave me goosebumps.


Speaking on production, the emphasis this season on Coruscant and Ghorman allowed the creators to showcasea lot more design related to interiors, control panels, technology systems, and architecture. It was just glorious. I loved seeing how they've continued to evolve the design language established in the '70s, successfully modernizing it without losing that original essence and aesthetic. The film Alien: Romulus went through that similar challenge recently, and I thought they had set the standard for this kind of sci-fi production design, but I think Andor may top it. The larger sets and macro shots were also spectacular, blending stunning real-world locations with impeccable CGI that produced a world that is as close to perfection as it comes.

So there is a lot to love about this season, and there were two or three episodes towards the later stages that I would call great TV, but I do also even in those standout points the writing still fell short. For example I found the decision to sideline Dedra and replace her with a new ISB agent at the culmination of her journey and efforts a strange choice. Andor and her coming face to face, would have been nice.

We did get a cool confrontation with between her and Luthen, but despite the cool dialogue, both showed levels of amateurism that were uncharacteristic and hurt the suspension of belief. She's practically asking Luthen to strike at her, or himself, which of course he does, and thus ruins The Empire's chance for interrogation. We're made aware of Dedra's flaws here, but it is so sloppy from her. Luthen too, always shown to be in control, has no serious contingency to defend himself or destroy damning rebellion evidence when they find him. His half-baked attempt to melt the communication console nearly leads to Kleya's capture. Where was the detonation of the entire office? Even his choice to end his life via a stab wound is dangerously unreliable by his standards. It's all very careless, and kind of undermines many of those lectures on protocol and caution he was often dishing out.

Now that I think about it, Kleya also acts uncharacteristically in her hospital infiltration. She has the knowledge of the Death Star and makes no attempt to preserve or pass it on before risking her own potential capture or death. It also seems very easy to fly in and out of Coruscant. Andor does it just fine when they extract her. Surely she would have had her own getaway ship tucked away that she could have used to leave the planet immediately after the hospital, versus holing herself up helplessly as she broadcasts her location to enemy.

I also think it's unrealistic that Dedra was kept alive by The Empire. Her failure with Luthen was catastrophic and she knew about the Death Star. There's no way they would imprison her and allow the possibility of her leaking that information. An execution would have been more fitting, and helped provide some of that Empire brutality and mercilessness that I felt was missing from them this season.

All those points seem like nitpicking, and I would agree they are not deal breakers, but I do think it's a shame some of the season's biggest moments and conclusions are in part predicated on some inconsistent and lazy writing that seems geared towards manufacturing drama versus intelligently connecting all the key characters and plots together in its final moments for a satisfying payoff.


Whether you share the same criticisms as me or not on everything I put so far, I challenge anyone to claim that these episodes were hitting the heights of storytelling seen with the Aldhani heist and prison escape, or any performances that matched Andy Serkis as Kino Loy. Even when I think of the greatest TV series and episodes of all time, it's quite clear to me that Andor Season 2 is no where near offering the cleverness or raw emotional content we've come to see in shows like Game of Thrones, Breaking Bad or even Lost. So the 10/10 reviews form the likes of IGN, X and X are just ridiculous honestly.

So there is a lot to love about this season, and there were two or three episodes towards the later stages that I would call great TV, but I do also feel those standout points are held back by poor writing. For example I found the decision to sideline Dedra and replace her with a new ISB agent at the culmination of her journey and efforts a strange choice. Andor and her coming face to face, would have been nice after so much development dedicated to her this season.

We did get a cool confrontation with between her and Luthen, but despite the nice dialogue, both showed levels of amateurism that were uncharacteristic and hurt the suspension of belief. She's practically asking Luthen to strike at her, or himself, which of course he does, and thus ruins The Empire's chance for interrogation. We're made aware of Dedra's flaws here, but it is so sloppy from her. Luthen too, always shown to be in control, has no serious contingency to defend himself or destroy damning rebellion evidence when they find him. His half-baked attempt to melt the communication console nearly leads to Kleya's capture. Where was the detonation of the entire office? Even his choice to end his life via a stab wound is dangerously unreliable by his standards. It's all very careless, and kind of undermines many of those lectures on protocol and caution he was often dishing out.

Now that I think about it, Kleya also acts uncharacteristically in her hospital infiltration. She has the knowledge of the Death Star and makes no attempt to preserve or pass it on before risking her own potential capture or death. It also seems very easy to fly in and out of Coruscant. Andor does it just fine when they extract her. Surely she would have had her own getaway ship tucked away that she could have used to leave the planet immediately after the hospital, versus holing herself up helplessly as she broadcasts her location to enemy.

I also think it's unrealistic that Dedra was kept alive by The Empire. Her failure with Luthen was catastrophic and she knew about the Death Star. There's no way they would imprison her and allow the possibility of her leaking that information. An execution would have been more fitting, and helped provide some of that Empire brutality and mercilessness that I felt was missing from them this season.

All those points seem like nitpicking, and I would agree they are not deal breakers, but I do think it's a shame some of the season's biggest moments and conclusions are in part predicated on some inconsistent and lazy writing that seems geared towards manufacturing drama versus intelligently connecting all the key characters and plots together in its final moments for a satisfying payoff.


Whether you share the same criticisms as me or not on everything I put so far, I challenge anyone to claim that any episodes this season hit the heights of storytelling seen with the Aldhani heist and prison escape, or that there were any performances that matched Andy Serkis as Kino Loy. Even when I think of the greatest TV series and episodes of all time, it's quite clear to me that Andor Season 2 is no where near offering the cleverness or raw emotional content we've come to see in shows like Game of Thrones, Breaking Bad or even Lost. So the 10/10 reviews from the likes of Collider, Forbes and Roger Ebert are just ridiculous honestly.

VERDICT

Season 2’s worst critic is Season 1. Whilst still a decent series, it’s not a great one, and at times it is poor. This is a huge disappointment given the potential and previous quality on display. The final rating is carried by the world-class production, casting, acting, and tone, all of which help fill a void the franchise has created by starving us of quality for so long. But the killer blow here is in the storytelling, which dragged itself through to much with filler and generic central motifs. Its best character, Cassian Andor, (and to a large degree the Rebellion) are frequently on the periphery and lacking inspired content. Its brightest moments were excellent, but came far too late, with the final culmination of events still missing the cleverness and tightness of writing needed to deliver a satisfying and memorable conclusion.

Season 2’s worst critic is Season 1. Whilst still a decent series, it’s not a great one, and at times it is poor. This is a huge disappointment given the potential and previous quality on display. The final rating is carried by the world-class production, casting, acting, and tone, all of which help fill a void the franchise created by starving us of quality for too long. But the killer blow here is in the storytelling, which dragged itself through to much with filler and generic central motifs. Its best character, Cassian Andor, (and to a large degree the Rebellion) are frequently on the periphery and lacking inspired content. Its brightest moments were excellent, but came far too late, with the final culmination of events still missing the cleverness and tightness of writing needed to deliver a satisfying and memorable conclusion.

RATING BREAKDOWN

Story

56

Directing:

68

Visuals / Production:

97

Acting / Dialogue:

79

Music / Sound

77

BONUS

production

Animation

concept design

concept design

FINAL

70

70

70

70

MOOD

Thanks for reading

Thanks for reading

Thanks for reading

Thanks for reading

Thanks for reading

Thanks for reading

Thanks for reading

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CONTACT

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CONTACT

contact@ratersgonnarate.com

CONTACT

contact@ratersgonnarate.com